Tag: Scotland

  • Loch Torridon and Loch Maree

    Loch Torridon and Loch Maree

    It was through poor choice and unlucky timing that I sat in Bristol airport departures awaiting an aircraft due to depart over two hours after its scheduled time. Poor choice because it was the start of the school holidays and thus busy with families and board children; unlucky timing as the French air traffic controllers were on strike. Headphones on, listening to Expeditionary Force, Book 4 by Craig Alanson time quickly passed tho. Tip: If you like your sci-fi saga’s – check it out…

    In a car collected at Inverness airport it was about 1.5hrs drive to where I was staying. A small village with hotel, bar and shop – what more could you want – called Shieldaig in the North West Highlands near Torridon.

    The roads in the North are quiet but especially so away from Inverness. Notable was the 15km of A896 winding its way below Beinn Eighe and Liathach as it’s single track and unlit. Being unfamiliar with the road, in darkness thanks to the delayed flight, with headlights that only seemed to illuminate the road just in front of the car and with the ever present risk of deer lurking on the road it was a demanding but thankfully uneventful drive. During the week I travelled the road several times and it became less scary but it certainly wouldn’t be a road on which to have an accident or breakdown during the night.

    The North West Highlands are very special; It and its Northern neighbour, Assynt, are two of the few remaining truly wilderness landscapes in the UK. The area can be bleak and imposing but it most certainly always forces you to appraise your significance in the environment. They are a wonderful juxtaposition of craggy coastlines, turquoise waters and white sandy beaches with dark and imposing expanses of impenetrable moorland separated by large mountains and rivers. With a low human population it’s easy to feel small in such a vast natural environment. Beyond being stunningly beautiful, I find the Highlands relaxing, calming, almost spiritual – although I wouldn’t consider myself religious in any way. This is why I love to photograph the Highlands and why – note to self – I should visit more often.

    I had originally thought of staying at The Torridon hotel as it was central to the area I planned to photograph; But a cheaper alternative, and where I stayed, was the Tigh an Eilean hotel in Shieldaig. This had the distinct advantage of being within walking distance of an area I planned to photograph. I’m happy to write that it was a great small hotel with friendly, welcoming staff and so I can recommend it to readers.

    The prime objective for the trip was to make images to expand the selection of greeting cards in my Christmas card range. Here in the UK that means snow, although we seem to get precious little these days. Hence going mid-February, traditionally the coldest of the winter months and the most likely to have snow. During the drive-in on that first night it was too dark to see any snow on the mountains but there was none at road level for sure. My suspicion was confirmed the first morning. No snow; Only traces of white high on the mountains where snow lay in deep gullies. The area is on the North West coast so snow wasn’t guaranteed but I was hoping for some on the mountain tops at least. Time for another plan.

    The fall-back plan was essentially the original plan but without snow and switching from cards to photographic prints. Unfortunately, cards will have to wait for another year. With the exception of the first day, the weather was forecast to be mostly cloudy, dull and wet for a few days followed by stormy weather, storm Otto a strong subject in photographs was important. There was a chance of snow late in the week, on the mountain tops at least. The plan was to concentrate on Scots Pine trees and an area just North of Alligin Shuas where glacial erratics lay on a hill with good views to the South.

    The Erratics

    Glacial boulders
    Glacial boulders

    The afternoon of the first day was spent in an area North of Alligin Shuas with the intention of identifying one or two compositions for late afternoon when a break in the cloud was forecast. Parking by the roadside was easy but I was immediately reminded how difficult boggy Scottish hillsides are to traverse but keeping to rocky areas, going was easier.

    The area has many glacial erratics, some in precarious positions and which, some day, will surely roll. There were so many that I considered it a ‘target rich environment’; Numerous compositions are possible given the ‘right’ light. Light which I did have, momentarily, near sunset.

    Being a hillside roughly 300m above the sea with no significant features to the West there is little to no protection from whatever weather comes off the sea. That afternoon was cold with a biting Westerly wind forcing the use of rocky outcrops and large boulders as shelter just to keep the camera stable. Even then I pushed the ISO just to keep an appropriate shutter speed. Whilst exploring the area it became clear that to make it work photographically, good light was especially important. I knew further visits would be necessary.

    What I really liked about the area was the staggeringly beautiful views to the South across Upper Loch Torridon to Loch Damh and the Ben Damh Forest. Although 300m is not high, the area feels much higher and it’s almost unimaginable to think that glaciers once covered the area. Now that, I would like to photograph!

    A second visit was equally as cold but a little less windy; But there was a little snow on the high mountains. This time I spent the morning exploring the area to the East of the road finding more erratics and a composition which I think is my best one from the entire trip. After returning to the car to warm-up and a bite to eat, the afternoon was spent exploring the West side again.

    By late afternoon thin cloud covered the sky providing a very soft milky-white light not sufficient to reveal the shapes and textures of the ground. Half my brain was saying you are cold, tired and with these clouds there isn’t going to be any light at sunset. The other half was saying, you are here now and are not going anywhere until that sun has set! I’m sure all landscape photographers know those mental shenanigans! Happily I stayed put and right on-cue the skies cleared just as the sun set. The half that said ‘stay put’ was now saying ‘I told you so’!

    Upper Loch Torridon, Loch Damh and the Ben Damh Forest
    Upper Loch Torridon, Loch Damh and the Ben Damh Forest

    Scots Pine

    The Scots Pine, Pinus sylvestris, is a fantastic tree, their trunks can have some great shapes and they have the most amazing greens and reds all year-round not to mention the landscape in which they grow. It’s those characteristics that attract me. They seem so right, so at home in the Highland landscape.

    Two Caledonian Pine
    Two Caledonian Pine

    The light at the very start and the very end of the trip was good but other days were mostly dull with thick grey clouds and, on some days, frequent rain showers. Being on an exposed hillside getting wet and cold didn’t sound like fun so, on such days, I explored woodland/forests in search of Scots pine compositions. This had a couple of advantages: shelter from the weather and stronger compositions, compositions better suited to the conditions.

    After poring over Ordnance Survey maps the West of Loch Maree looked interesting. Following a Beinn Eighe path the woodland was dense and way too compositionally complex. Knowing that eventually I’d reach a level were the woodland stopped and the mountains began I kept ascending. Sure enough at the upper edge of the woods were widely separated Scotch pines on grassy/heather-covered slopes with Loch Maree and distant hills in the background. Not that the backgrounds were that visible through the rain! But the rain, like fog, added separation between the subject and background plus a little atmosphere. Sometimes a little too literally for my liking! The hillside faces North East with big mountains to the South West so the best light would probably be during the morning or possibly evening if the setting sun lit clouds overhead; But with thick cloud overhead the light was very diffuse.

    Ben Shieldaig woods
    Ben Shieldaig woods

    Woodland on the side of Ben Shieldaig was an absolute must being so close to the hotel and thus within easy walk. But what was the best way of enter the woodland? Locals suggested the track on the Northern end, the Shieldaig end. Suffice to say I didn’t return that way, instead exiting just to the South of the Applecross road junction opposite Loch Dughaill then walking back to the hotel along the road. Surrounding the woodland are tall deer fences but fortunately there are gates through which access can be gained. They are widely separated tho and are not marked on maps so some exploration is needed to locate them.

    The woods are on the Western side of the 516m high Ben Shieldaig. Most of the hill has steep sides but there are a few more level area’s opposite Loch Dughaill which can be reached on foot. Finding compositions that minimised the complexity of surrounding trees and vegetation was difficult, especially given the available flat light. I feel it’s a location with potential but that it needs a significant investment to identify compositions and have appropriate light.

    Windy, Torridon
    Windy, Torridon

    On a wet and windy afternoon in the wake of Storm Otto I explored the track that follows Abhainn Coire Mhic Nรฒbuil through woods above Upper Loch Torridon. Only one successful image, that to the left, was made but the curvy tree, its leaves and the flat light evoke the conditions nicely.

    The area to the South of the A’Ghairbhe river near Kinlochewe has many fine looking Scots pines. At first sight the area looked hard to access but closer inspection identified it to be straightforward with simple parking and access to the woodland; although off the forestry tracks it was much harder underfoot thanks to the rain. What I liked about the area were the wonderful pine trees and the opportunity to place the Beinn Eighe range in the background. Whilst there I was fortunate that the clouds broke for a short while bathing the woodland in bright, directional light.

    Spidean Coire nan Clach
    Spidean Coire nan Clach

    Conclusion

    Overall the week was quite challenging due to the weather and light and some nice photographs were made. The choice of hotel was a success as were the travel choices of flying and car hire. Would I go back again. Absolutely!

    Andy


    All images are copyright Andy Gawthrope Photography.

  • Glen Affric Birch

    Glen Affric Birch

    Recently I was watching a 2016 Charlie Cramer talk hosted by Tim Parkin and the gang from On Landscape on YouTube. If you are a landscape photographer and don’t yet know of On Landscape Magazine go take a look; I can highly recommend it.

    Charlie is scheduled to talk at the Photo Fest conference in Bath – organised by the folks at Fotospeed – in September this year. Whether that occurs as planned is unclear thanks to COVID-19. But I certainly hope it does as I would like to hear what Charlie has to say about printing.

    The video reminded me of I photograph I made back in 2011 whilst on a Christmas/New year stay in Glen Affric and which has been languishing in my queue of photographs to print for some time. Freshly motivated I dug-out the raw file captured with an EOS 5D Mark 2 and redeveloped it using my modern digital darkroom tools (Capture OneAffinity Photo) and then printed it using ImagePrint.

    I recall it was late one afternoon on a grey, damp day not long before sunset that I made this photograph. I had been photographing Caledonian Pine trees but had returned back to the truck. Not far from the truck was this group of Silver Birch trees. The trees and surrounding vegetation were wet with the light rain known as Scotch Mist and there was a georgeous purple light in the trees. Not a planned photograph. Some times it’s just about being out and about in the landscape at the right sort of time. ๐Ÿ™‚

    I’m really happy with how the print turned out. So, happy that it is now in the Unlimited Edition Prints section of my website were it is available as an A2 or A3 print.

    Andy

  • Lochan na h-Achlaise in snow

    Lochan na h-Achlaise in snow

    Just up the road from Bridge of Orchy and the hotel where I was staying is a beautiful lochan on the South Eastern edge of Rannoch Moor. Lochan na h-Achlaise has been photographed by many photographers in many conditions and is probably most known for the small islands and little rocks that are dotted along its foreshore. I myself have been there numerous times over the years but I’ve always wanted a snowy or icy photograph. This year I was lucky enough to capture a snowy photograph.

    Whether it was just pure chance or that the A82 was still being cleared by ploughs I’m not sure but I found myself alone on the shore of the lochan one morning with snow all around. I must have wandered along the whole of it’s Southern shore making photographs, but the one in this post is my favourite. It’s a composite of several images captured using my trusty EOS 5DSR using a Sigma 50mm Art lens.

    Canon imageProGRAF PRO-2100
    Canon imageProGRAF PRO-2100

    I started printing my own photographs in early 2019 and have since become a total convert to the print as the output medium. Seeing photographs on small mobile phones, tablets, even large computer monitors just doesn’t do them justice. Modern photographs can be packed full of detail and when printed in large format they can simply blow your mind! This is certainly the case with the above photograph and several of the others from my Bridge of Orchy trip. Seen large there is just so much more for the eye to see; trees change from simple dark shapes to something that recognisably has branches and leaves; even ducks on the distant water start to appear.

    Since last year the largest I’ve been able to print is A2 sheet media. However, all that is about to change as the guys at Fotospeed are about to deliver a shiny new Canon imagePROGRAF PRO-2100 printer. This 24″ roll printer will dramatically change my output as it will then possible to produce much larger panoramic prints! I’m really excited and looking forward to it’s delivery as soon as the coronavirus lock-down comes to an end.

    So, keep an eye on my shop larger prints will be arrving there in a few weeks. Coronavirus willing. ๐Ÿ™‚

    Andy


  • Fresh snow in Bridge of Orchy

    Fresh snow in Bridge of Orchy

    On one morning during my stay at Bridge of Orchy in Scotland I awoke to find everything covered in soft, white fluffy snow. It was a sight to behold. There was only the occasional muffled sound of a car on the normally busy A82 due to the still lightly falling snow. With little to no wind the trees were laden with perhaps 2 – 3 inches of snow and their branches bent over under the weight. It was definitely a photography day!

    After a hurried breakfast the hills remained wrapped in cloud. Clearly there was nothing to be gained from plodding up a hill today! An easy day ๐Ÿ™‚

    The trees from the hotel window on the far side of the car park caught my attention but it felt like cheating to photograph so close to ‘home’ rather than hike along a track or up a hill for hours! Cheating or no, that is where the day started – in the hotel car park! The tarmac was nicely buried under as no car had yet disturbed the snow so unless you knew it was a car park you would never know!

    So the first photograph in this post is off the trees at the end of the car park. I was drawn to their shape; the tree that rises and curves from near the centre towards the left and the taller and straight tree to its right. As on previous days, there seemed little reason to consider colour; the scene was just shades of grey!

    By the time I’d finished photographing in the car park the wind had risen slightly and snow was starting to drop from the trees. It was time to pack the camera away and follow a small winding path that led through the trees down towards the river and several tall Silver Birch trees. Here the ground was more open allowing sufficient distance between the camera and trees to avoid problems with converging verticals and the need for post-capture corrections.

    Snowy tree No. 1
    Snowy tree No. 1

    Readers of the preceding post in this series will know I like Scotch Pine trees. But I also like the Silver Birch as they are never seem too large and have wonderful detail in their silver and black trunks.

    One of the Silver Birch’s stood a little way from the others; it forked at ground level and had a nice bit of negative space to it’s side. Perfect! This one will almost certainly make its way onto one of my 2020 Christmas cards.

    After finishing with the trees I headed up the road, thankfully the snow barrier hadn’t been closed, to Lochan na h-Achlaise but more on that in the next post!

    Andy


    All images Copyright Andy Gawthrope Photography

  • Around Loch Tulla

    Around Loch Tulla

    Shortly after arriving at Bridge of Orchy a day started with the hills obscured behind thick grey clouds, there was a biting cold wind and snow was falling at road level. It looked unpleasent outside the hotel windows! Inside the hotel, dry and warm, I reasoned that if the weather broke there would be some good photography so, suitably booted and dressed for a day on the Scottish hills in winter I headed out and up one of the hills overlooking Loch Tulla. Not that you could see the loch or much else! Fortunetly, I had scouted the lower paths the previous day and was confident the higher path would be ok.

    My thinking hadn’t been wrong; it was most unpleasent at times with wind blown snow getting into anything not securely closed. Despite the weather upwards I plodded through, in places, thigh-deep drifts which just couldn’t be seen due to the poor contrast. Any reader who has experieced these sort of conditions will know exactly how tiring this sort walking is especially when wearing a heavy backpack and tripod. On occasion it just was not possible to extract a submerged leg as the other would sink equally deep into the snow. When that happened, extraction was an interesting challenge!

    Around lunchtime I reached the top of the hill but decided to stop a little way back down were it was more sheltered from the wind and spin-drift. Here I decided to hunker-down, eat lunch and wait a while for the cloud to break. It didn’t! So, after about an hour of waiting and getting increasing cold I start to head back down. Ten to fifteen minutes after starting my decent I noticed it was starting to clear. Yes! Looking around I could see some rocks over to my right. These are the rock in the photograph above and the only objects I could see that looked interesting. I spent some time with the rocks as the clouds continued to dissipate with, at times, the sun breaking though. I guess persiverence is rewarded!

    Snow above Loch Tulla
    Snow above Loch Tulla

    On previous scouting trips I’d noted a small group of Scotch pines set on a knoll well separated from all other trees a short distance from Loch Tulla. I was immediately drawn to their collective shape; the outer trees leaning inwards towards a slightly shorter central tree of a different shape. They seemed to have natural balance – a sense of family. There had been no appreciable rise in temperature or wind from the previous day so snow still clung to their sides further accentuating their shape and texture in the morning light.

    Setting-up to capture these photographs I pre-visualised the group of trees in black and white and configured the camera to preview in black and white. This was a straightforward decision as almost everything that morning was black or white! Configuring preview in black and white is a technique I’ve started recently having learnt the tip from another photographer. I find it beneficial with visualisation of the image.

    Caledonian pine
    Caledonian pine

    The shape of the three right-hand trees and their bold trunks also caught my attention. Framing just these trees provided a simple composition allowing removal of any possible distraction due to the other trees or surrounding landscape. As I was making this photograph a snow shower past through which at first resulted in short white lines on the photograph. Moments later it was a short-duration blizzard and I retreated to the shelter offered by those trees!

    Andy

  • Bridge of Orchy 2020

    Bridge of Orchy 2020

    February is generally acknowledged to be the snowiest month in Scotland. Most years it’s a fairly safe bet that there will be snow on the mountains, probably down to about 500 metres. At lower altitudes the snow often falls as rain so any snow at ground/road level is often wet and doesn’t hang around for long. By February the days are getting longer, there is more light and it’s possible to shoot all day as the sun doesn’t climb too high in the sky.

    This year I spent a week in Bridge of Orchy staying at a hotel of the same name. The hotel had great staff who really knew how to look after their guests; the accommodation, food and beer were all excellent and tucked away on the ground floor was a cozy, quiet guest lounge with large comfy sofa’s and chairs. Looking back now it seems like a different world; the news had stories of a virus in China and people were hoping it didn’t reach our shores. Normal times. But it’s now May and the UK is pretty much in lock-down. For me this has meant that a trip to Skye has been postponed along with trips to Dartmoor, Cornwall and other destinations.

    Bridge of Orchy lies to the South East of Rannoch Moor and Glen Coe and is a little lower in altitude. The surrounding hills are lower too so, for the not so fit photographer, they provide an easier option that doesn’t require the commitment and fitness of the larger mountains. For such a small place it’s remarkably well served by public transport partly as it’s on the main A82 Glasgow to Fort William road but also as the overnight sleeper train from London stops there on its way North. So getting to the hotel is really easy!

    The Watchman
    The Watchman

    With a thin blanket of snow on the hills and fluffy white clouds intermittently delivering snow the landscape was pretty much just shades of grey so, black and white seemed the most appropriate photography palette. In fact, even before the trip I’d pretty much decided it would be focused primarily on Black and White if the conditions were snowy.

    The landscape around Bridge of Orchy is open and provides wide panorama’s after a little height is gained. With a keenness that is always present on the first day in a new location I headed out from the hotel and up one of the surrounding hills. On its crest a large cairn marked a junction of paths. Clearly I wasn’t the first to pass that way since it had snowed as there were lots of footprints next to the cairn. But closer inspection revealed many to be the hoof marks of deer of which, during the week, I would see so many. By the time I captured the photograph at the top of this post the sun had popped-out from behind the clouds providing some strong directional light across the cairn towards Rannoch Moor and Glen Coe. One of the key ingredients that make the photograph work for me are the clouds filling the sky. It was a spot I returned to several times during the week. On one occasion there was fresh unbroken snow surrounding the cairn but the clouds were never quite as interesting.

    The second photograph was captured a few days later. I’ve named it ‘The Watchman’ as the lone tree appears to stand watch over a surrounding vast landscape with distant forest ‘hugging’ the land like a quilt. The tree must have seen many types of weather in its few years. There were several good photographs from the trip but this is one of my favorites.

    Both the photographs in this post are the result of stitching several 50Mpx images and thus there is a large amount of detail which looks stunning when viewed large. Both are available for sale right now at Andy Gawthrope Photography

    Andy


    All images Copyright Andy Gawthrope Photography

  • Fidden sunset

    Fidden sunset

    A few years ago I decided to spend a few days photographing Scottish castles.  Quite why, I cannot now remember but my thinking was probably something like:  I like Scotland; Castles are usually found in nice locations; Castles would make an interesting subject!  This led to some research and the identification of a number of castles, some famous like Eilean Donan and some not so famous.  In selecting castles, somehow the abbey on Iona made it onto the list. ๐Ÿ™‚

    So it transpired that I camped for a few nights just opposite Iona on the Ross of Mull.  The campsite was at a little place called Fidden and its a spot I will never forget as it was stunningly beautiful. It felt remote; it required a ferry journey from Oban and a long drive on single track roads.  At Fidden the coastline faces the setting sun and is a mix of low rocks and white sandy beaches. Its possible to camp next to the sea so there is no travel and little planning involved in photographing sunsets. And the sunsets can be amazing ๐Ÿ™‚

    Iona sunset
    Iona sunset

    In fact, I’d say sunsets from the Scottish islands are some of the best I’ve ever seen. ๐Ÿ™‚  Because of the clean air and the low horizons, the sun bottom-lights the clouds helping to reveal their fine, delicate structures whilst casting them in lovely warm orange and yellows.  Add some thicker clouds and the result is wonderful contrast between the different clouds and a little drama.

    These two photographs were taken from almost the same location at Fidden on different evenings and illustrate the lovely evening light that is so often available.